Wassily Kandinsky

 

Wassily Wassilyevich Kandinsky (1866-1944), was a Russian painter widely credited as the pioneer of abstract art. He felt that art should have no recognizable objects or forms, but rather should destroy reality in order to arrive at the underlying truth of existence. He called his spiritual desire for art “inner necessity”. Kandinsky studied law and economics at the University of Moscow and was offered a professorship at the University of Dorpat, but he abandoned his career in 1896 at the age of 30 and went to Munich to study art. But before leaving Moscow, he saw an exhibit of paintings by Monet. It had a profound effect on him and may have influenced his later venture into abstract art.

In 1896 Kandinsky settled in Munich, studying art at the Academy of Fine Arts. But he returned to Moscow in 1914. After the Russian Revolution, he seemed to have been involved with Russian Marxist revolutionary Anotoly Lunacharsky, becoming an insider in the cultural administration. However because “his spiritual outlook was different to the argumentative materialism of Soviet society” he returned to Germany in 1920. There he taught art at the Bauhaus School until Hitler closed it down in 1933. He then moved to France producing some of his most prominent work until his death a few days before his 78th birthday. Wassily Kandinsky was an early champion of abstract painting and believed that abstract art could be used to express the “inner life” of the artist. His favorite color was blue, and he believed that the circle was the most peaceful shape and represents the human soul. (Shown below is a painting by Wassily Kandinsky together with a painting by me that was inspired by it).

The Magic of Art

 

For me Art has always been synonymous with magic, so one day I wondered whether there was some theory that when applied would lead to interesting paintings. Unfortunately there is no such theory, for some reason some paintings are pleasing while others fail to satisfy the mind. For many years I believed that composition was the most important element in a painting, later I felt color was equally important.

So I analyzed the paintings of famous artists and found that the most interesting paintings had an element of crudeness in them. Take Vincent van Gogh’s “The Church at Auvers” for example, the whole building is crooked and the colors unnatural. But what would have happened if he painted it straight using natural colors, then it would be like a million other architectural drawings, competent but boring.

This was good news for me because I am one one those people in this world who is too lazy or too incompetent to draw buildings perfectly. I felt that the real secret behind a really good painting was a certain ugliness mingled cleverly with a really impressive element. The impressive element makes the painting realistic while the ugliness energizes the painting making the whole painting interesting. I used this theory to paint and came up with some eerie paintings. Of course not everyone was impressed some people called some of my buildings childish, others called them crude. But the important thing was for the first time in many years I felt like painting again.