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James Fenimore Cooper

 

James Fenimore Cooper (1789-1851), was a United States author. He is Chiefly remembered for his Leatherstocking series of novels about Indians and frontiersmen, but he also wrote tales of the sea and other books. Cooper was the first American author to win wide popularity in Europe. He did more than any other writer to create the theme of the crafty but noble Redskin pitted against the equally resourceful woodsman.

Mark Twain and others ridiculed Cooper for his impossibly wooden heroines, his unreal dialogue and plots involving miraculous escapes from dangerous situations. Much of the criticism is justified, but Coopers skill in weaving an exciting tale and picturing a romantic woodland background has helped his books remain popular.

Cooper was born in Burlington, New Jersey, the second youngest in a Quaker family of 12. When he was one year old, the family moved to the shore of the Otsego Lake in western New York. There his father founded the village of Cooperstown. Young Cooper soon became acquainted with the Indians and the forests of the region. He entered Yale College at 13, but was dismissed in his third year for playing a prank. He went to sea as a common sailor in 1806, and in 1808 he received a commission as midshipman in the navy.

His dissatisfaction with an English novel provoked him to say he could write a better one. Precaution (1820), an imitative society novel, was the result of his wife’s demand for proof. It was unsuccessful. In 1821 Cooper published The Spy at his own expense. This romance of the American Revolution made him famous on both sides of the Atlantic and caused him to be called the equal of Sir Walter Scott as a historical novelist.

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P.G. Wodehouse

The feather-brained Bertie Wooster and his sagacious valet Jeeves were the creations of the infinitely well-meaning and later on much-misunderstood humorist named P.G. Wodehouse. Wodehouse’s life at this time was not going well when he joined the London branch of the Hongkong and Shanghai Bank. He was unsuited for it and found the work baffling and difficult, but he would come every day eager to write for magazines. But between 1908 and 1915, he created unforgettable characters that made him famous. Psmith was a strikingly original character based on hotelier and impresario Rupert D’Oyly Carte, whose monocle, studied suavity and stateliness of speech Wodehouse cleverly adopted for his character. “Something New” became his first farcical novel and also best-seller and although some of his later stories were gentler and lightly sentimental, it was as a farceur that he became known. Later in the same year, "Extricating Young Gussie” about Bertie and Jeeves was published. He wrote about them for the rest of his life.

His unwise broadcasts from German radio to the US, during the Second World War caused great controversy even though they were comic and apolitical. A front-page article in The Daily Mirror stated that Wodehouse "lived luxuriously because Britain laughed with him, but when the laughter was out of his country's heart, ... [he] was not ready to share her suffering. He hadn't the guts ... even to stick it out in the internment camp." Several libraries removed Wodehouse novels from their shelves. Wodehouse never returned to England.

Wodehouse received great praise from many of his contemporaries, including Max Beerbohm, Rudyard Kipling, A. E. Housman and Evelyn Waugh—the last of whom opines, "One has to regard a man as a Master who can produce on average three uniquely brilliant and entirely original similes on each page. However not everyone agreed. The writer Alan Bennet thinks that "inspired though his language is, I can never take more than ten pages of the novels at a time, their relentless flippancy wearing and tedious”. Another literary critic Q.D. Leavis writes that Wodehouse had a "stereotyped humour ... of ingenious variations on a laugh in one place". Sean O’Casey, a successful playwright of the 1920’s called Wodehouse “English literature’s performing flea”. Another critic wrote “It is now abundantly clear that Wodehouse is one of the funniest and most productive men who ever wrote in English. He is far from being a mere jokesmith: he is an authentic craftsman, a wit and humorist of the first water, the inventor of a prose style which is a kind of comic poetry."