Oil Pastel

Herman Melville

Herman Melville (1819-1891), was an American novelist. “Moby Dick” (1851), his masterpiece, uses Captain Ahab’s relentless and fanatical pursuit of a great white whale to symbolize the conflict between man and fate, good and evil. Melville’s books were popular only briefly during his lifetime and were almost completely neglected for about three-quarters of a century. When rediscovered in the 1920’s, he was recognized as a major American author.

Melville was born in New York City. His merchant father died bankrupt when Herman was 12. He attended Albany Academy until he was 15, and then worked as a bank clerk, farmer, and teacher. At 17 he shipped as a cabin boy to Liverpool, probably to get away from his tyrannical mother. Melville describes this voyage, which gave him a love for the sea, in “Redburn” (1849). Returning in 1837, he taught school until 1840. Then he joined the crew of the whaler “Acushnet”. Harsh treatment caused him to jump ship at the Marquesas Islands, where he was held in friendly captivity for several weeks by Typee cannibals. His adventures are set down in Typee (1846) and Mardi (1849). Melville escaped on an Australian whaler, but left it at Tahiti. His stay there is reflected in Omoo (1847). After clerking in Hawaii, he served a year in the U.S. Navy. This gave him material for “White-Jacket” (1850), and for his last completed work, “Billy Budd”. (Though written before Melville’s death, “Billy Budd” remained unpublished until 1924.)

“Typee” made Melville famous, and he soon became prominent in New York literary circles. In 1847, he was married to Elizabeth Shaw, daughter of the chief justice of Massachusetts. After a visit to Paris and London, he lived 13 years at “Arrowhead”, a farm near Pittsfield, Massachusetts. Hawthorne was his neighbour, and “Pierre” (1852), a psychological study of guilt, suggests his influence on Melville. In 1853 a fire at his publisher’s destroyed the plates of Melville’s books and most of the unsold copies in stock. Melville’s popularity had already waned. His writing became tinged with pessimism, melancholy, and mysticism. After “Piazza Tales” (1856), short stories, he wrote verse. “Clarel” (1876), a long religious poem, was inspired by a pilgrimage to Palestine in 1856. In 1863 he moved to New York City, where he was a customs inspector, (1866-85).

Joseph Mallord William Turner

Joseph Mallord William Turner (1775-1851) was an English painter and graphic artist. He is known especially for his luminous, imaginative landscapes and seascapes. A prolific artist, Turner did thousands of sketches, engravings, water colors, and oils. His interest in the effect of light and color upon form foreshadowed the work of the impressionist.

Turner's works are usually divided into three styles. In his early period he painted landscapes and historical pictures in quiet tones of green, blue, and brown, using the brighter colors very sparingly. About 1819, after a trip to Italy, a change came over his work. He began to use brighter, purer colors, without dark shadows. During his middle period his works, such as The Fighting Temperaire, became more impressionistic.

Turner became more absorbed in color and light, and the works of his last period grew more abstract. In Burning of the Houses of Parliament and Rain, Steam and Speed light, color and atmosphere dominate; form and subject are barely suggested. Steamer in a Snowstorm shows his use of swirling masses of color to express emotion. These later works were ridiculed by his contemporaries, but they have much in common with 20th-century abstract painting and are now widely admired.

Turner was born in London, the son of a barber. He had very little schooling but early showed a talent for drawing. He entered the Royal Academy school at 14 and first exhibited there at 15. When 24, Turner was elected associate of the Royal Academy. He became a full time member in 1802 and was appointed professor of perspective in 1807. In his will, Turner left most of his works to the British People. About 300 oil paintings and sketches and about 19,000 drawings and water colors are exhibited in the National Gallery, the Tate Gallery, and the British Museum.

He lived in London all his life, retaining his Cockney accent and assiduously avoiding the trappings of success and fame. Intensely private, eccentric and reclusive, Turner was a controversial figure throughout his career. He became more pessimistic and morose as he got older, especially after the death of his father, after which his outlook deteriorated, his gallery fell into disrepair and neglect, and his art intensified. In 1841 Turner rowed a boat into the Thames so he could not be counted as present at any property. He lived in squalor and poor health from 1845. Turner left a small fortune which he hoped would be used to support what he called "decayed artists". 

Drawing by me

 

Oil Pastel drawing by me

 

The Sea at Night - Abstract digital drawing

Oil Pastel on Paper

 

Oil Pastel on Paper

 

James Fenimore Cooper

 

James Fenimore Cooper (1789-1851), was a United States author. He is Chiefly remembered for his Leatherstocking series of novels about Indians and frontiersmen, but he also wrote tales of the sea and other books. Cooper was the first American author to win wide popularity in Europe. He did more than any other writer to create the theme of the crafty but noble Redskin pitted against the equally resourceful woodsman.

Mark Twain and others ridiculed Cooper for his impossibly wooden heroines, his unreal dialogue and plots involving miraculous escapes from dangerous situations. Much of the criticism is justified, but Coopers skill in weaving an exciting tale and picturing a romantic woodland background has helped his books remain popular.

Cooper was born in Burlington, New Jersey, the second youngest in a Quaker family of 12. When he was one year old, the family moved to the shore of the Otsego Lake in western New York. There his father founded the village of Cooperstown. Young Cooper soon became acquainted with the Indians and the forests of the region. He entered Yale College at 13, but was dismissed in his third year for playing a prank. He went to sea as a common sailor in 1806, and in 1808 he received a commission as midshipman in the navy.

His dissatisfaction with an English novel provoked him to say he could write a better one. Precaution (1820), an imitative society novel, was the result of his wife’s demand for proof. It was unsuccessful. In 1821 Cooper published The Spy at his own expense. This romance of the American Revolution made him famous on both sides of the Atlantic and caused him to be called the equal of Sir Walter Scott as a historical novelist.

'Harbor' - Oil Pastel on Paper

 

'Factories' - Oil Pastel on Paper